CURRENT WORKS
PERFORMERS
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Hanna Cormick
Christopher Samuel Carroll
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DURATION
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15-20 minutes, dependent upon medical events
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PERFORMANCES
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2018 Art, Not Apart (Canberra)
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2018 I-Day Arts Conference (Canberra)
The Mermaid is: a disability activist; a victim of the climate crisis; a celebration of difference and diversity; a fantastical harbinger of a transhumanist future; an alchemist, transforming struggle and prejudice into art; ...curious and wants to join our world.
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In the ocean, the Mermaid is free. On the land, she cannot swim or breathe, and is vulnerable to pollutions of chemicals, scents and food from human settlement. It is not the Mermaid that is disabled, but the environment that makes her so.
This work takes the artist's real medical equipment that she requires to venture outside, and recontextualises it by placing them with the image of a "realistic" mermaid. The artist has a cluster of rare genetic diseases which necessitate the use of a wheelchair, braces, respirator mask and oxygen. Her medical aids are turned into objects of fantasy, become instruments of play, but also draw attention to the environmental plight of the mermaid and the ecosystems she represents. The Mermaid is at once whimsical and confronting, calling into question our notions of inclusivity, body, environment and normalcy.
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The tension between ability and the restrictions of the illness affect the trajectory of the piece. As she comes into contact with different environmental triggers, The Mermaid may suffer from real medical events: convulsive seizures, respiratory reactions, paralysis. She is in constant reaction with the world and people around her, performatively, spatially, cellularly. Her body exists as canvas, stage, for events to pass through.
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She reminds us of our inherent fragility, the permeability of our bodies and ecosystems. She is a celebration and a warning; a living memento mori, for both ourselves and the environment.
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The Mermaid photo by Shelly Higgs